Stephen Vaughan / Warner Bros.
Roger Deakins has been named the best cinematographer of 2017 for his work on “Blade Runner 2049,” the American Society of Cinematographers announced at the ASC Awards on Saturday night.
The honor marks Deakins’ fourth competitive ASC Award, in addition to one lifetime-achievement award from the group. Though he is widely acclaimed as the greatest living cinematographer and has been nominated for the Oscar 14 times, Deakins has never won an Academy Award.
The five ASC nominees in the theatrical category — Deakins, Bruno Delbonnel for “Darkest Hour,” Dan Laustsen for “The Shape of Water,” Hoyte van Hoytema for “Dunkirk” and Rachel Morrison for “Mudbound” — were the same as the five nominees for the Academy Award for cinematography, with Morrison the first woman ever nominated for both awards.
But the win does not necessarily mean that Deakins is now an Oscar frontrunner. In the first 31 years of the ASC Awards, the theatrical winner went on to win the Oscar only 13 times, although three of those wins (“Gravity,” “Birdman” and “The Revenant,” all to Emmanuel Lubezki) were in the last four years.
More often than not, though, ASC members disagree with the Academy. That explains why Lubezki won two ASC Awards before he won his first Oscar, and why Deakins won his first three ASC Awards but then lost at the Oscars.
The ASC Spotlight Award, which goes to a foreign or indie film without wide distribution, was won by Mart Taniel for the black-and-white Estonian film “November.”
Television awards went to Adriano Goldman for the “Smoke and Mirrors” episode of “The Crown,” Mathias Herndl for the first episode of the Nat Geo miniseries “Genius” and Boris Mojsovski for the “Thief” episode of “12 Monkeys.”
The ceremony took place in the Ray Dolby Ballroom at Hollywood & Highland. Honorary awards were given to director Angelina Jolie, cinematographers Russell Carpenter, Alan Caso, Russell Boyd and Stephen Lighthill and Kino Flo Lighting Systems founder Frieder Hochheim.
The ASC Awards winners:
Theatrical Release: Roger Deakins, “Blade Runner 2049”
Spotlight Award: Mart Taniel, “November”
Motion Picture, Miniseries, or Pilot Made for Television: Mathias Herndl, “Genius,” “Chapter 1”
Episode of a Series for Non-Commercial Television: Adriano Goldman, “The Crown,” “Smoke and Mirrors”
Episode of a Series for Commercial Television: Boris Mojsovski, “12 Monkeys,” “Thief”
Lifetime Achievement Award: Russell CarpenterBoard of Governors Award: Angelina JolieCareer Achievement in Television Award: Alan CasoInternational Award: Russell BoydPresidents Award: Stephen LighthillBud Stone Award of Distinction: Frieder Hochheim
Andrew Lesnie Heritage Award Winners:Undergraduate: Logan Fulton, “Widow”Graduate: Favienne Howsepian, “Snowplow”Haskell Wexler Student Documentary Award: Connor Ellmann, “Forever Home”
“Finding Forrester” (2000)
A writing prodigy finds an unlikely mentor in a reclusive author played by Sean Connery in this feel-good drama that won over first-weekend audiences.
“Remember the Titans” (2000)
Audiences cheered for the high school football drama starring Denzel Washington as a tough-talking coach.
“Monsters, Inc.” (2001)
Pixar animated hits like this one consistently get high marks from CinemaScore moviegoers.
“Antwone Fisher” (2002)
Denzel Washington plays a Navy shrink treating a troubled sailor (Derek Luke).
Nick Cannon plays a Harlem street drummer recruited to play for a Southern university’s marching band.
“Harry Potter and the Chamber of Secrets” (2002)
The second film in the eight-film saga won a grade that would have pleased Hermione — though all the others rated an A– or better.
“Finding Nemo” (2003)
Another beloved Pixar hit.
“The Lord of the Rings: The Return of the King” (2003)
The Oscar-winning finale of Peter Jackson’s J.R.R. Tolkien saga was the one ring that ruled them all.
“The Passion of the Christ” (2004)
Mel Gibson’s biblical epic won a passionate response from filmgoers.
“The Incredibles” (2004)
Another Pixar film that won over audiences in a superhero-size way.
“The Polar Express” (2004)
Tom Hanks’ CG conductor now looks a little creepy, but this holiday-set animated film was cutting edge at the time of its release.
Jamie Foxx’s Oscar-winning turn as music legend Ray Charles hit high notes with filmgoers.
A heart-tugging story about a racehorse who came back after breaking a leg is a natural to win high marks.
“Diary of a Mad Black Woman” (2005)
Tyler Perry’s early Madea film won over first-weekend audiences.
“Cinderella Man” (2005)
Ron Howard’s drama about a real-life boxer (Russell Crowe) knocked out moviegoers.
“The Chronicles of Narnia: The Lion, the Witch and the Wardrobe” (2005)
The C.S. Lewis story ticked the right boxes for CinemaScore audiences with its appeal to both faith-based and family audiences.
“Akeelah and the Bee” (2006)
A girl from South Los Angeles tries to compete in the National Spelling Bee in this feel-good drama.
“Tyler Perry’s Why Did I Get Married?” (2007)
CinemaScore grades tend to get a boost when super-fans turn out in force on opening weekend — like Tyler Perry enthusiasts.
Filmgoer affection kept the score aloft for this Pixar hit.
“The Blind Side” (2009)
Sandra Bullock’s Oscar-winning feel-good drama blindsided audiences with its heartfelt true-life story.
“The King’s Speech” (2010)
Colin Firth’s true-life story of King George VI became the latest Oscar Best Picture winner to appeal to audiences as well.
Disney’s spin on Rapunzel was just another one of its much-loved princess yarns.
“Soul Surfer” (2011)
Filmgoers latched onto a film about Bethany Hamilton, a surfer who got back on the board even after losing an arm in a shark attack.
This faith-based indie about four cops who reassess their lives after a tragedy hit home with audiences.
“Dolphin Tale” (2011)
Family audiences flipped for this one.
“The Help” (2011)
Tate Taylor’s civil rights drama became a giant summer hit on the heels of some very positive word of mouth.
“The Avengers” (2012)
Marvel’s superhero-palooza became the first comic-book movie to land a perfect grade.
Ben Affleck’s fact-based drama connected with audiences — and Academy voters.
Five years before his “Black Panther” landed an A+, Chadwick Boseman starred in this biopic of Jackie Robinson.
“Instructions Not Included” (2013)
This Spanish-language comedy became a surprise hit — and the audience response meant strong word of mouth.
“The Best Man Holiday” (2013)
Fans of Malcolm D. Lee’s original 1999 best-friends melodrama had to wait more than a decade for this sequel — and they went home satisfied.
Filmgoers just couldn’t let this one go.
“Lone Survivor” (2014)
CinemaScore audiences love Peter Berg’s true-life tales of American heroism, this time with Mark Wahlberg as a Navy SEAL on the run from the Taliban.
Recipe for success with CinemaScore audiences: Faith-based football drama starring an African American young man who must overcome obstacles to succeed.
Ava DuVernay’s stirring portrait of Martin Luther King Jr. marched forward with strong word of mouth.
“American Sniper” (2015)
Clint Eastwood’s searing portrait of an American military hero (Bradley Cooper) was a hit with audiences.
“Miracles From Heaven” (2016)
CinemaScore audiences again fancied this religiously themed Jennifer Garner drama.
“Queen of Katwe” (2016)
This unfortunately little-seen film about a young girl in rural Uganda who becomes an unlikely chess champion was loved by those who did see it.
“Patriots Day” (2016)
Peter Berg’s drama about the Boston Marathon bombing case wasn’t a hit, but CinemaScore filmgoers loved it.
“Hidden Figures” (2016)
The true-life tale of African-American women who helped NASA’s space program blasted off with filmgoers.
“Girls Trip” (2017)
Another film starring African-American women aced it with audiences.
The heartwarming story of a boy with a facial deformity checked all the right boxes for first-weekend audiences.
Pixar’s animated feature won over audiences with its take on Mexico’s Day of the Dead.
“Black Panther” (2018)
The Disney/Marvel blockbuster became only the second superhero movie to nab a perfect grade.
If you’re curious, click on to see all the movies that have flunked in the CinemaScore survey.
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These movies were big, big hits with audiences surveyed on opening weekend
Steve Pond, awards editor at TheWrap, is also author of the L.A. Times bestseller The Big Show. He has been covering entertainment for more than two decades, and is the industry’s most knowledgeable Academy Awards prognosticator.
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